Tamanna Huff

Bakemono Francesco Canovaro created Bakemono as a way to explore the design space around the duality of fixed/proportional width. He was also interested in the concept of monowidth design , inherent in monospaced typefaces, that can bring flexibility and ease of use also to proportional type - allowing you to change the weight of a word without losing the text alignment. In his research on fixed width type design he mixed the lessons of mechanical typewriter technology with the intuitions of eastern brush calligraphy , which has been dealing with for centuries with fixed space grids. The name of the typeface comes from the Japanese shape-shifter yokais that could change their form freely between human and animal, and aptly describes the metamorphic nature of this wide superfamily coming in proportional, monospace and intermediate subfamilies. With a design mixing the expansion principles of the brush with the sharp technicality of typewriter and system fonts, Bakemono can bo

Calvino In designing the  Calvino  typeface family  Andrea Tartarelli  set himself the challenge to follow the principles expressed by the Italian writer  Italo Calvino   in his masterpiece  Six memos for the next millenium .  Exactitude  and  visibility  are translated typographically through the reference to sixteen century garalde typography and its controlled, highly legible letterforms. To balance this formal rigour,  lightness  and  quickness  were added by letting the design be inspired by the calligraphic hand, following the lesson of Gudrun Zapf. The idea of  multiplicity was kept central, developing  Calvino  in a range of weights encompassing both display and text use cases, and then expanding the design space with the inclusion of a display sub-family,  Calvino Grande , to provide users with a full typographic palette to cover all editorial needs. Sharing the same formal structure,  Calvino Grande  sports condensed proportions, sharper details and tighter metrics.

Calvino In designing the  Calvino  typeface family  Andrea Tartarelli  set himself the challenge to follow the principles expressed by the Italian writer  Italo Calvino   in his masterpiece  Six memos for the next millenium .  Exactitude  and  visibility  are translated typographically through the reference to sixteen century garalde typography and its controlled, highly legible letterforms. To balance this formal rigour,  lightness  and  quickness  were added by letting the design be inspired by the calligraphic hand, following the lesson of Gudrun Zapf. The idea of  multiplicity was kept central, developing  Calvino  in a range of weights encompassing both display and text use cases, and then expanding the design space with the inclusion of a display sub-family,  Calvino Grande , to provide users with a full typographic palette to cover all editorial needs. Sharing the same formal structure,  Calvino Grande  sports condensed proportions, sharper details and tighter metrics.

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Download Now Server 1 Download Now Server 2 Download Now Server 3 Yournotes   typeface born from original and natural handwritten in the paper with boldpoint and pen; delivering a stylish typeface which is guaranteed to add naturality styles and taste appeal to your logo designs, brand imagery, quotes, product packaging, merchandise & social media posts. Download Yournotes Fonts Family From Garisman Studio Download Yournotes Fonts Family From Garisman Studio

Download Faculty Fonts Family From Device Faculty is a robust, warm and rational sans with a large x-height that lends a clarity in text and headline. Stroke terminals are cut horizontally, lending it a solid colour. Suitable for headlines and text. Download Faculty Fonts Family From Device Download Now View Gallery